Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.įrom the 1730s on Tiepolo devoted himself chiefly to secular themes: mythologies and allegories that glorified Venice and its noble families. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop's Palace at Udine. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. The next year he became a member of the Fraglia, or painters' guild. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Tiepolo soon evolved a more spirited style of his own. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. Giovanni Battista Tiepolo was born in Venice on March 5, 1696.
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